At these parties that are frequented by well-dressed mostly African-Brazilian men and women aged 18-35, you'll hear the latest sounds of American superstars likeChris Brown and Beyonc alongside icons like Michael Jackson, James Brown and everyone in between.
Every Saturday the Espao Cultural Rio Hip-Hop Charme, or Viaduto de Madureira as its more commonly known, hosts the most important Charme Dance party in the city. Originating from the Carnival bloco Pagodo Madureira created by friends known as Leno, Pedro, Edinho and Xandoca in May 1990, local entertainment businessman Cesar Atide invited the group to establish Projeto Charme na Rua, a hip hop, soul and R&B party for the neighborhood.
With Atides influence the group secured the space under the Viaduto Negro de Lima and using seminal funk rapper MC Marlboros sound system, the team launched the now legendary event on the first Saturday of Carnival in 1993.
While soul and R&B had been played in Rio clubs since the 1960s, the Viaduto de Madureira events were the first to popularize the genre and create an focal point for Carioca hip hop and charme, (the Rio manifestation of North American R&B). Understanding the importance of the events for the spread of African-Brazilian culture in Rio, the state government officially recognized the parties in 1995 renaming it The Rio Charme Project.
In contrast to the baile funks, with their glorification of gang violence and often tense atmospheres, the Baile do Viaduto is an urban street party with a palpably positive vibe. Starting at 10PM, things start to get going at 1AM and in the run up to Racionais MCs performance DJs spin a mix of hip hop and R&B by national and international artists such as 50 Cent, 509-E, Beyonce, Orixs and BNego while street dancers bust a groove on stage.
Bursting onto the stage in a fog of smoke and vitriolic lyrical attack, Racionais MCs command the crowd with socially engaged flow over pared down hip hop beats. Formed in 1988 by MCs from the favelas on the periphery of So Paulo, Racionais promote social consciousness with lyrics directly addressing issues such as drugs, racism, police brutality and poverty.
Hits such as Vida Loka and Dirio de um Detento, which relates the incident where police killed 111 inmates of Carandiru prison on October 2nd 1992, get the loudest reception with the audience chanting along word for word while Ice Blue fixes us with his formidable glare.
A crush follows the show. Barriers fall down as fans clamor to be photographed with the MCs backstage. The anarchic chaos befits the huge popularity of the group who, as pioneers of Brazilian hip hop, are totally befitting for the Baile do Viaduto.